How
would you describe your work?
Most
of my work is mostly black and white shots and all natural lighting and playing
with the models. I look at the models as subjects (like in architecture as
structures) and then playing with the light and make sure the angle and perspective
is good for the shots. I always do incorporate architecture in my shoots for
the spaces, angles of building and the different perspective of the models in
relation with the spaces.
Most
of your work is in black & white (we love it!), why black and white photography?
I
have been keen in appreciated black and whites, as there is more drama in the
photos and mystery as well. The photos seem to have more impact in black and
white. I want to concentrate on this and study the subjects with light a lot.
Inside
or outside photography?
I
used to do a lot of inside photography when I had my studio here in Rome, which
I have recently closed. But for me preferably working outside with natural
light is much better.
What
do you do to prepare for a shoot?
I
do read and look at a lot of photos also online and in magazines and get
inspirations on the shots depending on the location and space of the shoot. I
make sure the models are also okay with agencies to come for the shoot and make
sure my team in Rome with make-up artist Muna Jibril and hair stylist Jillcombs
Centore are all involved, in the decision process.
I have been working with my
producer Christopher Maul in London helping me producing my shoots and ideas
and making sure we all agree on the stories we make for the shoots, also
working closely together with Marin Finerty an American videographer and
graphic designer and Alan Capelli Goetz an Italian-Belgian actor as my director
for most of my shoots.
Plus making sure the stylist has the right clothes for
the shoot. On top of this thinking ahead for where the shots will be exposed
and submitted into different magazines. I have been working with this team ever
since I started properly working in fashion, but of course sometimes the team
would change depends on the shoot. I believe working with a trusted team is
important in the process of success in any projects done. In all of these felt
like a director and lead the team for every shoot that I do.
Where
does your inspiration come from?
I
do get inspired in creating great images from my team that I closely work with
as we share ideas and inspirations from our different fields of work, and also
some few photographer friends in the business. I love the works of Hedi Slimane.
He captures the shots in black and white in a very dramatic and very natural
way. I wanted to be like him someday.
What’s
the weirdest thing you ever got inspiration from?
Not
really sure if its really weird, but I do sometimes like strange things. I do
go to a lot of art exhibitions and museums as I used to own an art gallery in
Rome some months ago. I do get other inspirations from different contemporary
artists like Damien Hirst, Anselm Keifer, Tracy Emin to name a few.
We
noticed that you are mainly working with male models, is there a reason for
that?
There
is not a lot of male model photographers around and I thought would be good to
concentrate on this, as its also easier to work with them than with female
models. I do take shots of female models in exception to projects as well and
also if I like their look.
Who
is one of your favourite local models to work with?
Locally?
It is hard to pin point as all the models I work with are always from outside
Italy. I do work with some great model friends that come visit me in Rome like
Pascal de Wolff from Holland and Andreas Betran Holm from Copenhagen, Adam
Kaszewski from Poland. I have been shooting them a lot when we meet and do
editorials also in Rome or Milan.
What
photographers from the past or present have influenced you the most?
I
have been inspired at the beginning with some few photographer friends that
also work with male models like Ian Cole in London, Philip Hegger in Berlin, I
came across their works and liked how they capture the images and portraits of
the models, without being too vulgar or too much and many others. As there are
a lot of photographers out there trying to shoot but not really make a
difference. It’s easy to call yourself a photographer just because you have a
camera. But it depends if you have the right eye for it or not.
Where
can our readers look more of your work?
I
am on the social media like Twitter, Instagram, Facebook and Tumblr, also in
Male Model Scene (Zarko Davinic) and Carbon Copy magazine (Ian Cole) and Rough
Magazine Italia (Nichelle Cole) as I do collaborate with them a lot with my
works.
v & f xx